Fans of the DCU have certainly had a roller coaster of a year. After multiple delays to three feature films back into 2023, the behind the scenes conflicting reports on Black Adam’s box office, and the cancelation of the nearly completed Batgirl film, it was not an easy one for fans, with many people asking — “What’s going on with Warner Bros. Discovery?” With the announcement of James Gunn and Peter Safran being appointed the heads of the now formed DC Studios with the goal to make an interconnected plan for the franchise, many were excited and relieved.

Yet that excitement quickly came with bad news, as Gunn announced a new take on Superman which will not star Henry Cavill. Cavill was expected to return as Superman after his cameo at the end of Black Adam and a major announcement from the star on his social media, yet those announcements were premature. Combine that with the cancellation of Patty Jenkins’ Wonder Woman 3, it appears that the original version of the DCU which was started by Zack Snyder might be out the door following the release of The Flash and Aquaman and the Lost Kingdom. That has now led to a division in the fandom, with those loyal to Snyder’s take on the DC Universe calling for Gunn to be fired, while others are open to a new take on the material.

Snyder and Gunn have very interesting and similar careers. Zack Snyder’s first film as a director, Dawn of the Dead, was written by Gunn. Both have directed R rated superhero deconstruction films with Snyder’s Watchmen and Gunn’s Super. Both then stepped into the world of mainstream superhero films and forever left their style on the genre. With all that in mind, it’s worth looking at both filmmakers and seeing how they envision the DC Universe. Even though Gunn has only just taken the leadership position, his work on both The Suicide Squad and Peacemaker, and his recent announcements, certainly give a hint at what his plans could be.

Snyder Likes Gods, Gunn Likes People

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Superheroes are mythical figures. They were created as mythic power fantasies for children to read. As time has gone on, their stories have gotten more complex and parallels between them and mythic folklore and ancient gods has become widespread. This is an aspect that Snyder really dug into with his DC movies. Man of Steel notably features a lot of Christlike imagery around Superman. Batman V Superman: Dawn of Justice draws multiple parallels to superheroes as either angels or devils. The superheroes of the Justice League are incredible individuals with god-like abilities that are meant to be figures of aspiration.

Gunn looks at superheroes in a slightly different way. While both The Suicide Squad and Peacemaker are centered on the so-called villain’s perspective, Gunn likes to explore the people behind the mask. He draws the audience in by making these larger-than-life characters more relatable and giving them human quirks and flaws that make them feel more like real people. Snyder sees the DC characters as mythic figures to be admired, but Gunn finds a way to show them as people.

Different Sources of Comic Book Inspiration

One of the biggest difference between Snyder and Gunn’s take on the DC is what comics they draw on for inspiration. Snyder has spoken openly that he did not read comics in his youth and instead became a reader after the 1980s, with the publication of darker more adult oriented stories like Watchmen and The Dark Knight Returns. Snyder’s DC films tend to draw from more recent comic arcs; in particular, his Justice League film drew heavily from the team’s New 52 origins including having Cyborg as a founding member and the major antagonist being Darkseid.

Gunn, on the other hand, was an avid comic book reader as a child and tends to draw inspiration from the Silver and Bronze Age comics from the 1960s until the 1980s. This is apparent in his DCU film The Suicide Squad, which drew heavily from the John Ostrander run on the comic in 1987. He drew from the company’s rich history for obscure characters and even included Starro, who was the very fist foe the Justice League ever faced in the comics, in the film. Gunn’s social media has been teasing various characters with an emphasis on less mainstream heroes like Mr. Terrific and Lobo. Where Snyder favored a more grounded take on the DC universe, Gunn is more willing to embrace the absurd aspects of the comics.

Superman Is the Key Between Gunn and Snyder

Superman is the first modern American superhero and the template for which all other superheroes follow. Thus, it’s fitting that his 1978 feature film kicked off the superhero film genre, that Man of Steel was the kickoff film for the DCU, and that Superman is the first project announced under Gunn and Safran’s leadership of DC. The character is so well known and has been around for so long that he lends himself to be reimagined in many different ways, which is highlighted by both how Snyder and Gunn appear to approach the character.

Snyder’s Man of Steel retold the origin of Superman, but put an emphasis on the character’s alien origins. Krypton was expanded upon, and the filmmakers opted to treat it like a first contact story. Snyder put Superman’s alien origin as a defining aspect of the character. Gunn has teased his Superman film as also exploring the early days of Superman (though it will not be an origin story), but will focus on his time as a reporter for the Daily Planet. Not only is this an aspect often overlooked in Snyder’s take on the character, but it puts more focus on Superman’s humanity. Clark Kent might be from Krypton, but he was raised by humans as a human, and walks among them. Snyder’s emphasis was on the alien, while Gunn appears to want to explore what makes him human. Again, this is the ultimate distinction between the two.